Losing It by Janine M. Donoho

Isak Dinesen once said, “I write a little every day, without hope and without despair.” Such an approach continues to be a life to strive toward and even a fine way to process this world. Yet on a recent Friday, my motherboard and hard drive died. This after gifting the elderly DELL with new RAM and everything. No reciprocity there. It happened when I strolled from the room to replenish my water, then give and receive puppy love. I returned to nothing but black screen and the slow beat of a DOS prompt that took me nowhere. Ka-thump, ka-thump, ka-thump. Very Tell-Tale heart. Even my computer geek friend could not revive the zombie. Thus, I went into overdrive editing what had been a completed grant–and trying not to dwell upon what had been lost.

Allow a moment of gratitude for a back-up, even though it was not the most current edit. Now, another moment of thanks for my aging, but functional laptop–fingers crossed. In place of the nearly finished blog about our munificent harvest, along with bounteous pictures, you’re getting this one instead. There does seem to be some truth in that old saw of making lemonade from lemons, don’t you think? However, recent losses of my sweet Amanda Pandemonium, fire-stressed Ponderosa pines and even my mother came to the fore in this ridiculous crash of an old computer. Who knew?

Oh, and DAW finally got back to me about my MISTBORN CHRONICLES. Yes, another ‘at any other time we would certainly publish this…’ letter. When you can identify a market and satisfy it, that’s commerce. Evidently, targeting markets isn’t my strong suite. Thus, I believe I’m finished with the whole New York publishing thing, my friends. Even though my reading list remains deep and diverse, the books on my table and bedstead are from the local library. I only purchase keepers and those have become much fewer. New York feels more like light-years in distance. Therefore, finished work will continue to go to smaller literary houses. For me, these publishers have the ‘nads and vision to make stories into beautiful books, although they may lack the heft to make distribution either easy or steady.

Now let’s talk about stress–and flop sweat. Even though the DELL had made it nearly nine years, I still was unprepared to buy a new computer. In my rosiest dreams, my next workstation was an Apple–a Mac, in fact–with all the cool stuff. Adobe Photoshop, LiveMotion, GoLive… Ah, the vision of dollar signs flashing in my head. Nevertheless, none of my contemporary hats are full of money. Really.

Writer–not so much banquet as scarcity.
Conservation biologist–oh, come on, do employers really hire in this field of expertise? Choreographer and dance instructor–not high on the food chain in Okanogan.

Still, you probably spotted my trend of choosing satisfaction over financial security, although rarely in the vein of Dinesen’s splendid lack of hope and despair. However, I still dance and perform, lately returning to teach only advanced choreography. Plus another PC, one with speed, brains and Windows 7 has made its way by slow camel to this latitude and longitude. I’ve gone rogue with a desktop from Zt, a company with 15 years of history who has pitted itself against the megaliths. Yes, I often pull for the underdog, so long as they have spirit, integrity and heart.

Yet, I’ve also taken time to read everything and anything that strikes my fancy. In fact, a craving for the written word has engulfed me. So not idle, but not exactly centered either. Between long rambles with the hounds and the usual detritus of everyday life, I took a romp through Dan Brown’s latest, The Lost Symbol, before sliding into Frazier’s Thirteen Moons, a lyrical journey through the lost Cherokee past of my father’s antecedents. What a wonderful voice his protagonist has. Now Republican Gomorrah‘s on the table as I try to understand and find compassion for our own homegrown Fundamentalists, who seem every bit as toxic as the nihilistic foreign groups they rant against. I gobbled up Margaret Atwood‘s The Year of the Flood, finding the return to her world of Oryx and Crake more daunting than satisfying. A few short story collections beckon now: The Better of McSweeney’s, Volume 1, and Joyce Carol Oates‘ selection of Contemporary American Short Fiction. Then Naamah’s Kiss by Jacqueline Carey will balance Queen Noor’s Leap of Faith while Teri Coyne’s The Last Bridge does the same for Half the Sky: Turning Oppression into Opportunity for Women Worldwideby Nicholas D. Kristof and Sheryl WuDunn.

Yes, the impact of losses remains. The dynamics between adversity and abundance will certainly continue. However, the space feels much less empty when filled with actual living. An artful life allows you to reveal your own truths, n’est pas?

A Long and Winding Road by Janine M. Donoho

Between late April and early November, my two young hounds and I take the high roads. Old forestry roads, that is. A short VW ride away we can access one relatively tiny island of the Okanogan National Forest. By ‘tiny’, that would be from a furry mega fauna’s perspective. You see, bear, mountain lions, wolves, elk and moose need sizable territory to meet their range needs throughout the distinct and oft-extreme seasonal changes we experience here in the highlands. However, the hounds and I do just fine.

With the VW parked just off the main dirt road, we have plenty of choices for narrower and less traveled paths. This has become a necessary break from winter’s YakTrax and layers of outerwear. Black squirrels, chipmunks and rabbits keep the hounds’ interest peaked, while sharpening the wild critters survival instinct. Foraging turkeys roam the forest in polygamous family flocks. The largest flock spotted so far runs at an even dozen with three adults, a gobbler and two hens and 10 lanky poults.The stunning males sported iridescent red, purple, green, copper, bronze and gold feathers. Some mornings, their rich language fills the forest, driving my coursing hounds crazy with longing. Fast as Connor and Kartouche’ are on terra firma, they want to fly, too. Luckily, wild turkeys remain shy, cunning and agile flyers–unlike the domesticated variety.

On a good day, the hounds range about me. They break into sprints only for cagey rodents, who then torment them from treetop or burrow. The sun loosens muscles and fresh air stimulates the creative pathways. Entire stories or scenes come to me in this state. Essays are written and short stories composed. Sometimes a knotty plot problem or deeper character issues from the hike.

Yes, obstacles present themselves. Beyond the above-mentioned critters and my attempts to minimize our impact on their daily lives, cows also graze the forest from June to October. As you might already know, domesticated animals lack the wiliness of wild ones. For instance, once my quickly leashed hounds sight a cow/calf pair, the bovines don’t leap off the main trail into the forest. No, instead they plod ahead until a turn hides us from view. Then they act flabbergasted as we come around the corner–again and again and...

This becomes my upper body workout as Connor and Kartouche’ intermittently try to pull me along at their speed. Did I mention that my whippet and greyhound live to chase anything that runs? Of course, they’re also much faster than anything else in the woods. Especially me. So with top speeds of 40-45 mph, they need to be leashed whenever sign of possible chase-worthy prey comes along. Much as my internal editor must be disconnected during initial drafts, accordingly it helps when I can ‘see’ ahead along the trails we walk.

As with writing, sensory input in the wilds comes in handy. So I listen for the occasional hoof against wood or rock along with unique verbalizations, whether gobble, chuff, bugle or growl. Dare I say that I’m now familiar with the scritch-scritch of bear claws in Ponderosa pine? Trust me, it’s an excellent sound to recognize.

The nose comes in handy for the unique musky smell of deer and elk or the surprisingly sweet scent of berry-munching bear, which exude what they eat. When they’re on a fish diet, the smell’s not quite as luscious. Visually, paw and hoof prints work, too. On moon-dusted or rock-strewn trails, though, it’s difficult to find a good paw or hoof pattern. My favorite was the perfectly preserved icy remainder of a lynx or bobcat paw impression discovered during April thaw.

Then there’s the scat, which can be wonderfully specific about its maker. In the cows’ case, huge mounds of steaming pies present the obvious, which Kartouche’ likes to rub along his pulse points like the finest of perfumes. As for taste, which I’m sure could tell me even more about what inhabits the wilds, I leave that to the hounds. Yum. At that point, it’s always best to go sniff a Ponderosa along the sunny side, where the bark exudes a delectable vanilla scent.

So yes, I can rhapsodize over the smorgasbord of sensory input found along the trails we walk, but in truth, each experience adds to my private library of delights to be shared with my readers. For what I yearn to do each time I write is to bring each reader into my world along the road less traveled. What better way than to do so than enrich their lives with the sumptuous details they may not enjoy in an inner city or houseboat or condominium. Besides, living life closer to the natural world definitely has its perks.

Amanda Pandemonium by Janine M. Donoho

Best garden helper ever - MandyGenerous soul-
translucent skin joining tensile tendons in
breathtaking speed-
Tender beauty and
grand companion.
My sweet girl Mandy has gone.
How can 14 years really be long enough for such a great heart? I’m undone.Amanda Pandemonium, my heart

Growing a Life of Bliss by Janine M. Donoho

Spring offers a natural time of renewal. Cleaning out the cave involves more than chasing dust bunnies into the great outdoors or dealing with windows smeared with sighthound nose-hits. This time of year has become the nexus for an abundance of creative relationships. Besides another planting cycle, an ELEMENTAL novel presses insistent cotyledons from my subconscious as story reaches for light.

Earthy renewal has become as perennial as the hardy plants in my desert gardens.Digging into soil allows space between intuitive writing and more pragmatic edits. As a meditation, building soil presses me to be fully in the present. Sometimes the outcome is to let old fields lie fallow. Either way, this process opens the way for story.

Like kilims and area rugs from Turkey, Morocco and Egypt, it’s good to air winter’s buildup and knock free any debris. Just as stress fractures in a relationship heal faster under bright light, rugs and edited stories can take on a fresh luster. Worn areas can be shored up and perhaps new joys added into the mix. Let’s face it, disappointment and sorrow can dull even the shiniest, most enduring bonds, whether delivered via rejection letters or life’s bumps. But handmade carpets and individual stories hold value because of the hands that craft them. The journey weaves into both weft and tale.

As with this latest ELEMENTAL novel, for years I resisted the call of narcissus and tulips, although crocuses, snowbells and hyacinths received no such impertinence. Yet even as I adore the return of ubiquitous robins, now daffodils, unsown stories and tulips usher in this warming equinox. Thus, both saga and common flower have been invited to grow. Will there be a market for this novel? Who knows. Local whitetails and mule deer treat tulips like candy. The blossoms are more ephemeral than in less wild climes. Still, they’re in my garden today. Thus, this year my Earth ELEMENTAL, along with table grapes and kiwis, take precedence in cultivation. From the multitude of choices available, only the hardiest varieties of ideas and plants survive.

Unlike many stories, there’s a known endpoint for writing the Earth ELEMENTAL. Submissions for Barbara Kingsolver’s BELLWETHER PRIZE FOR FICTION end this September. As for the grapes, Valiant, Edelweiss and Swensen actually have a good chance of enduring arctic continental winds–with some help. The kiwis, whose male plays Pasha to a harem of September Suns, eschew the fuzzy jackets of their commercially known cousins. For each of these endeavors, structure is necessary. Grape arbors, story framework, and kiwi trellises fill my dreams. Oh, and gabion windbreaks constructed from wire and stone…

Yes, the center of my life brims with spring. My beautiful 32-yard turquoise-&-black dancing skirt, which offers no boundaries to untamed Turkish dances, blisses me out. Rich brocades and velvets for vests and hip belts await, too. In a lovely synchronicity during my last signings and library program, a budding friendship with Sou gifted me with Omid’s VICTORY CD along with body mist and butter appropriately named BLISS. Even now, French onion soup simmers in the crockpot. With final additions of Gruyere cheese and coarse chunks of thyme-infused bread, a rainy April in Paris will be revisited. Meanwhile, ferocious winds usher in the season even as chaotic thunderstorms bring pelting rains to quench thirsty gardens.

False Thaw by Janine M. Donoho

Icicles, which began feeling like family members, melted away this week. Actually, they first liquefied, then slid from the roof into shattered crystalline heaps. It felt like spring as temperatures reached the low 40’s. Heavy coats peeled away, Yak Trax found no traction in slush, and the hounds shifted to light vests during their walks. And yet…

We had another 3″ fall of snow. You see, while vernal equinox officially arrives on March 20th, we don’t plant bulbs until after Mother’s Day in May. I start my seeds in the blue-light-flashing-special greenhouses in the garage this week with heating pads on the lowest shelves. Eggplants, peppers, tomatoes, melons–those vegetables and fruits that take longer than our short growing season to mature–begin each season this way. There will be hardy grapevines and arctic kiwis this year along with more perennials suited to this high desert.

Last week, I also finished another edit of my MISTBORN CHRONICLES. Printed out, the entire manuscript was 8″ tall, a high fantasy indeed. MISTBORN went to Peter Stampfel at DAW books, home to many of my favorite fantasy authors: Jennifer Roberson, C. J. Cherryh, Mercedes Lackey and Melanie Rawn. Of course, whenever I address a manuscript to New York, an echo of Black Hole ricochets back to me.

But wait! Another edit? Yes. This one surfaced after finishing the 3rd novel, when another revision became necessary to bring elements into alignment. After nearly 1575+ manuscript pages and 375,000+ words, a story still can take a writer in new directions, which is one of the great joys of building worlds, after all. Besides, aren’t all artistic endeavors works-in-progress? Each time, we take our piece as far as we know how, then release it into the universe.

Then like a thaw, growth as an artist occurs. Malcolm Gladwell in Outliers believes, then supports his claims, that it takes 10,000 hours to master such a process. He draws from fields of hockey through piano virtuosity to computing excellence. Think Bill Gates. Of course, Malcolm also discusses the uniting legs of commitment and opportunity, which regrettably can hinge on birth month. Ah, synchronicity.

Hence as writers progress, we move through precipitous curves onto plateaus, then continue toward mastery by putting time in the chair. Periodically, a thaw happens. Shoots of megacreativity take root, then reach toward the sun. When we revisit previous endeavors, we find ways to clarify our vision and strengthen the work. So we edit.

With each edit, we realize a composition as whole and light-filled as we can make it…at that time. Like early thaws in the Okanogan Highlands, thaws that come with greater frequency as global climate changes persist, we tell ourselves, “This is the moment. This will be the last time this year that the trucks sink into slushy mud up to their wheel wells. Spring has come.” We have taken our work as far as we can.

Every time, that is true for now. Accordingly, MISTBORN CHRONICLES goes into the Mecca of publishing that is New York. Will the novels fill my chosen editor’s needs? Perhaps. Yet when the manuscript comes back, you can be sure there will be ways to improve the work. On balance, isn’t that what this writing profession is about? We seek to bring our unique vision, story, and voice to readers in ways that change their perceptions. Thus do thaws arise. 

Into the Cave by Janine M. Donoho

Don’t you love caves? Frissons of excitement and danger key us into the secrets those dark places hold. What critters might inhabit the depths? What precious veins or rare nuggets formed by geological shifts? As a youngling, I lived to explore old silver mines and vacant dens. These were my favorite haunts. Caves tickled my curiosity, perhaps in part because such journeys were expressly verboten. However, the urge to explore felt primal, even crucial.

As a creative being, journeys into more existential caves continue to thrill me. Winter in the Okanogan Highlands offers the perfect time to spelunk through inner spaces. During this season of deep powder, arctic continental temperatures and yes, brilliant sunshine, mind caverns open. Despite my varying ability to be a social creature, my luxurious cave is where I want to be.

Not only does winter allow me to stay in my thermal jammies and wool socks most days, but the season encourages me to go deeper within myself to explore story. Somehow, when the spring thaw arrives and snows melts, external pressures from gardens, social life and community make the writing process more time-specific. However, as the highlands go dormant and freeze over, that’s when inner realms beckon. Cave time often turns into my most prolific. As an added fillip, unique archetypes come into play.

Think of Orpheus, who went into the darkest cave of all to find his beloved Eurydice, only to lose her when he failed to resist one last look. Or Ursus spelaeus, the original cave bear. One of my favorite books was CLAN OF THE CAVE BEAR by Jean Auel. How cool were those Neanderthals and Cro-Magnons? In an alternate universe, you see, I’m an anthropologist…

So here’s the plan. This winter my completed high fantasy trilogy proceeds through another editing cycle. Then off the series goes to my chosen publisher. Writing the rough draft of my Earth Elemental, which has perked for years, comes next. Then if global climate change provides an extended winter, I may dash madly into my Fire Elemental, too.

For now, my friends, enjoy your time in the cave. Come spring, we’ll burst into the world with a fresh perspective, joyful energy, and stories we can attribute to our winter sojourn.

Sunrise—Sunset—The Writing Process by Janine M. Donoho

Okay, we skipped the whole writing thing for my first blog. Before we slipped into that relationship, I figured you might want to know me better. Now that you’re more relaxed with me, let me address one of the questions newbie writers often ask. They want to know about ‘process’: that series of actions, changes, or functions that bring about desired results. In my case, this means completed fiction or nonfiction.

This may come as no surprise, but my raison d’etre equates with writing. Yes, admittedly my keenness for the sublime also includes durable family ties, wild bouts of dance, brilliant sight hounds, sun-drenched garden time, and extreme dark chocolate. Oh, and I thrive on the occasional cool mysteries that manifest in northern lights and the like. At the bones, though, the art and act of writing awaken me each morning. What happens after I crawl out of bed becomes my process. Need I tell you of the infinite states of mind this encompasses? However, given the option, I go for maximum joy.

As you know, our first introduction to life’s passions arrives in many forms. The intuitive connections of bow-to-strings, butt-to-saddle, or finger-to-trigger elicit entire lifespans of compelling behavioral choices. Thus, pen-to-paper might be the first visceral act that connects each of us to our inner writer. Of course, that may come years after hearing characters’ voices in our heads or unreeling scenes during long rambles through woods or streetscapes. Who needs medication when you can write?

Let’s begin with a quick survey. How do you put words to paper? Sir Arthur C. Clark swore by his Remington Noiseless Portable, upon which he wrote his first published essay. Joan Didion’s Royal KMM gave her early works voice. Former critique partner and all-around luminous woman, Susan Wiggs relies upon first drafts on legal pads with peacock ink, then finishes with Dragon NaturallySpeak. Most of my writer friends lean toward computers sporting well-behaved software.

Despite my own marked preference for journaling on blank sheets with superb pens, it took a personal computer to truly set me free. No more worries about retyping a page or–gasp–correcting multiple carbon copies. Instead, Commodore 64 allowed me to write an entire novel in six weeks, despite working in test engineering full time while practicing the flawed arts of mommy- and wifehood. In spite of fanatical saving, minor program glitches also gobbled whole chapters. While that novel will never see the light of day, it served magnificently as my apprenticeship in the skill of novel writing. What it bestowed upon me was true process. This entails putting my butt in the chair every day, then writing with blazing speed, internal editor disengaged. After all, there’s always the edit cycle to fix any problems.

Other than handwritten journals, which I regularly shred, my software preference originally ran toward Corel WordPerfect, then to Microsoft Word as more editors tended toward the latter. However, I admit to an abhorrence of programs that profess to write stories for me–pesky systems that excoriate writers to follow their yellow brick road to fame and fortune. After all, who’s the writer here? Even with Word, the nagging editorial functions have been disabled, only reengaged during final draft as a way to find problems I’m too steeped in story to see. Quite simply, I want to give my best voice to those stories ricocheting around my head.

Your physical process may be different. You may need to write your entire story longhand, then speak it into a speech recognition program. Or perhaps you still love your typewriter. Or maybe, like one well-known, deceased author and member of the British Royals, you eat chocolate bonbons with a feather boa wrapped around your neck as your assistant takes dictation. Yum, bonbons…

Other quirky routines work, also. For short stories, a scented candle or incense in keeping with theme can help. When journaling or writing essays, I prefer Yo-Yo Ma’s renditions of Bach. Go figure. Then Putumayo introduced me to CELTIC VOICES‘ Mary McLaughlin, whose Sealwoman/Yundah transported me into the setting of SOUNDINGS. This worked even though my mythic basis proved different than hers.

A pashmina shawl, brought back from Turkey and draped along the back support of my writing chair, serves many purposes: emotional comfort through pleasing texture, color and memory along with physical warmth. The view from my writing room offers a view of the Cascade Mountains across Okanogan Valley. Favorite art by Amy Brown, Rusty Haydon, Jody Bergsma and unknown papyrus artists from Egypt graces my walls. Windstone figurines by M. Pena focus tired eyes on horizontal surfaces unencumbered by office machines. Applied fung shui keeps the energy flowing. Shelves of books line one wall and a closet. Oh, and mornings have proven to be my most productive times; the earlier, the better. It’s quiet in the Donoho household then. My hounds curl on their beds to watch me write. Sometimes their breathing matches mine.

A favorite part of my process, walking meditation, shrank from year-round to three months a year when we moved to these highlands. You don’t wander the Okanogan wilds without packing heat and remaining vigilant. Cougar and wolf and bear–oh, my! Also, we live in open range. When faced with beef-on-the-hoof, my coursing hounds need firm redirection. Furthermore, the snows come in early November and remain through May along my favored hiking routes. Cross-country skiing tempts me every winter until once again my cantankerous knees refuse to let me turn, slow down or stop. Yes, this proves a bit limiting at 3000 feet where paths lead up–or down. Therefore, I switched to indoor equipment to supplement regular dance sessions. It’s harder to get into the meditative zone on an elliptical, recumbent bike or treadmill, but worth sticking with the plan. Mobility definitely beats the alternatives.

What emphatically has not worked for me? Life in a very old fifth-wheel with two hounds, two young cats, and a newly retired husband. This failed miserably. However, you may find such a setting to be ideal. That’s what processes are, finally: particular courses of action intended to achieve results. In my case, that means maximum creativity with outcomes of a novel, short stories, essays, choreographies, costumes, enhanced landscapes…you see where I’m going? Now I want you to go there, too.

Your task, should you choose to accept it–cue MISSION IMPOSSIBLE music–is to explore what frees your truest and most creative self. Whatever revs your engines, blows back your hair or gets you out of bed each morning, be true to that. Never spit in the eye of your Muse–and always thank her for the gifts she bears.

Happy writing!

Famous, Infamous, & Notorious Firsts by Janine M. Donoho

Ooh, ah. My first website as an author. I’m actually giddy with it. Since it’s a first, my brain immediately switches to firsts that led to this one. Never fear, though. You will not be inundated by my attempts at age 7 to write about planets, of which Pluto no longer qualifies, or my angst-ridden teen poetry or even my first produced play at 16. In fact, this won’t be about writing. Instead, let’s make this an intro into firsts that shaped me on a seismic level. There will be pictures…including me with my 1st cowgirl hat.

1st best dogfriend: Springer spaniel Pete, who saved my diaper-clad butt by grabbing onto it as I rolled out the car door on a corner in South San Francisco.

1st best girlfriend: Teresa Giles, with whom I fished for catfish & carp, rode horseback through the Ponderosa pine forests & sagebrush steppes of our youth, and survived the first 10 years of schooling in Washoe Valley, Nevada.

1st amazing son: Chad Elliott, young man extraordinaire, who finds his joy with his equally brilliant & beautiful wife Trina. He spins & mixes incandescent music, then prepares incomparable meals.

1st best horse buddy: Jumpin’ Jack Flash, who I miss daily; great-hearted beauty of thoroughbred & quarter horse ancestry.

1st whippet: Amanda Pandemonium, a washed-out show dog at birth, who still brightens my day with her liquid gaze & joyous, although deleterious, attention to rodents. We blondes stick together. 1st rescued greyhound: Patrick, a beautiful companion gone from this world. This greyt continues to romp through my dreams.

1st girlfriend trip through EuropeBackpacks and public transportation saw us through France, Switzerland, Germany, and Italy. Gnocci, anyone? Here we are at Der Hofbrauhaus in Munich.

1st trip to Malaysia: I emptied my backpack to bring back gorgeous fabrics & other lush trifles.

1st trip to Morocco: Yes, I went to Morocco and all the boys at home received were Moroccan soccer jerseys. For me, mint tea began to equate with stunning rugs. 1st class 4 whitewater rafting: We went to the end of Tumwater Canyon on the Wenatchee River–and yes, I went for my first swim. Here’s a river picture with the Captain of my Heart. 1st trip to Greece: History, anyone? Also, dogs & cats galore with all their bits attached-so shocking to Americans, who spay & neuter their domestic critters.

1st trip to Turkey: Cities carved from the earth and amazing textiles became my focus along with thousands of years of sustainable agriculture. Note the picture of Mustafa and me. I could live there…

1st trip to Spain: Otherwise known as the sangria tour. We wept at the beauty, rhythmic poetry & sadly narrow lives of the Andalusian stallions, who danced just for me.  

1st trip to Portugal: Can tiles be more beautiful? Also, we experienced the best calamari ever eaten.

1st trip to Egypt: Baksheesh demanded and sheesha experienced; Bedouins on the Red Sea. ‘Nough said. 1st pedicure: Yep, only 2 weeks ago.

Now let us raise a glass to all the 1sts in life–and perhaps to those finales we won’t know of until we’re done.

Next Newer Entries

Soundings, Water Elemental

LaunchFebruary 27, 2015
The big day is here.

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